
















Anandi – Fort Lytton marked an important step in my exploration of long-exposure portraiture.
Until this project, most of my experimentation with movement had taken place in the controlled environment of a studio. I wanted to discover how these techniques would translate into a real location—one that could contribute its own history, texture and atmosphere to the image. Fort Lytton provided the perfect setting, adding a sense of place that became an integral part of the work rather than simply serving as a backdrop.
Photographing on location also introduced new creative and technical challenges. Working with movement, long exposures and multiple light sources in an uncontrolled environment required each image to be carefully balanced while still allowing room for spontaneity and expression.
Created in collaboration with dancer Anandi, the series explores the relationship between movement and place. The long exposures blur the boundary between the physical and the ephemeral, while the fort grounds the images in a tangible landscape. The result is a collection of photographs that are neither purely documentary nor entirely abstract, but an interpretation of how movement can transform both a subject and the space they inhabit.
(and of course we had to take some nice night portraits while we were out there)

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