LJMedia

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  • More
    • Home
    • About
    • Instagram
    • Projects
      • Liminal Traces
      • Individuals in the Herd
      • Xmas Consumption
      • A Narrow Field
      • Urban Impressions
      • Red Phone
      • Videos
    • Gallery
      • Alice
      • Anandi - Fort Lytton
      • Sooty Devine
      • Goblyn - Light Painting
      • Jordan
      • Anandi
      • Chelsea
      • Heaven - Fort Lytton
      • Chelsea
      • Goblyn Menace
      • Goblyn Menace 2
      • Piper Mae
      • Vlada
      • Philip
      • Chloe
      • Teneille and Marcus
    • Awards
    • Contact

LJMedia

LJMediaLJMediaLJMedia
  • Home
  • About
  • Instagram
  • Projects
    • Liminal Traces
    • Individuals in the Herd
    • Xmas Consumption
    • A Narrow Field
    • Urban Impressions
    • Red Phone
    • Videos
  • Gallery
    • Alice
    • Anandi - Fort Lytton
    • Sooty Devine
    • Goblyn - Light Painting
    • Jordan
    • Anandi
    • Chelsea
    • Heaven - Fort Lytton
    • Chelsea
    • Goblyn Menace
    • Goblyn Menace 2
    • Piper Mae
    • Vlada
    • Philip
    • Chloe
    • Teneille and Marcus
  • Awards
  • Contact

A Narrow Field

Ballerina in a red tutu looking up.
Young woman in vintage dress sitting by a window.
Portrait of a young woman in a blue dress with a dark background.
Portrait of a woman with soft lighting and dark background.
Portrait of a shirtless man with curly hair.

Artists Statement

This series explores the fragile boundary between clarity and uncertainty in portraiture. Each image was photographed at f/1.2, creating an exceptionally narrow plane of focus in which a face, an eye or a gesture briefly emerges while the surrounding body and environment begin to dissolve.


The shallow depth of field is more than a technical choice. It reflects the incomplete way we perceive other people. We may look closely, but only fragments are ever fully revealed. Expression, posture, costume and light offer glimpses of vulnerability, confidence, performance and self-protection, while much of the individual remains beyond our understanding.


Moving between quiet psychological portraits and more theatrical constructions, the series considers the portrait as both encounter and performance. Some subjects appear exposed and inward-looking; others use clothing, gesture, colour and persona to shape how they are seen. Across the series, focus becomes a metaphor for attention: what we notice, what we overlook, and how quickly certainty falls away.


These photographs do not attempt to define their subjects. Instead, they hold them momentarily within a narrow field of clarity—partly seen, briefly understood, and never entirely resolved.

Ballerina in a red tutu looking up.

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